JoJo Siwa Embraces a Bold Transformation Inspired by Miley Cyrus' Bangerz Era

JoJo Siwa Embraces a Bold Transformation Inspired by Miley Cyrus’ Bangerz Era

Siwa released a risque music video for her song “Karma” on Friday, indicating the beginning of a new chapter for the former child star.

It has been stated that JoJo Siwa, once recognized easily by her high ponytail and large bow, has moved beyond that image, embracing a significant change in her persona. In discussing her makeover, it was shared that Siwa found her inspiration from Miley Cyrus’ transformative Bangerz phase in 2013.

The alumna of Dance Moms addressed the speculation suggesting she copied her latest single “Karma” from Miley Cyrus and Brit Smith, both of whom were rumored to have recorded demo versions of the song in the early 2010s. The 20-year-old clarified that any confusion might stem from the involvement of Rock Mafia, the track’s producers, who composed the song years earlier and have written several hits for Disney stars, including Miley’s “Can’t Be Tamed” and Aly & AJ’s “Potential Breakup Song.”

Siwa explained, “What happens is that people write songs, and then they don’t use them. Years later, they might fit another artist.” She confirmed that the song was pitched to her, she fell in love with it, and it was precisely what she was looking to present to the world.

Commenting on the impact of “Karma,” JoJo expressed, “It really makes you pay attention, it raises questions, it causes confusion. So, whether people like it or not, the marketing plan succeeded.”

Is Jojo Siwa’s Transformation Similar to Miley’s Bangerz era?

In case you don’t remember it, Miley Cyrus’ “Bangerz” moment refers to a significant transformation in her public image and musical style that began around 2013 with the release of her album “Bangerz.” This era marked a departure from her earlier, more wholesome persona as Hannah Montana, a character she played on the Disney Channel, to a more provocative and controversial figure in the music and entertainment industry.

The “Bangerz” album itself featured a mix of pop, hip-hop, and R&B influences and included hit singles like “We Can’t Stop” and “Wrecking Ball.” The music videos for these songs, especially “Wrecking Ball,” which featured Miley swinging on an actual wrecking ball while scantily clad, became iconic for their boldness and sparked widespread media attention.

This period in Miley Cyrus’ career was characterized by her embracing an edgier, more adult persona, experimenting with her music and fashion, and often challenging societal norms and expectations. It was both celebrated for its artistic expression and criticized for its provocative nature, making it a pivotal moment in her evolution as an artist.

Jojo Siwa recalled that when she was 8 years old, Miley Cyrus had her Bangerz moment, which profoundly impacted her. The former Dance Moms star shared on a podcast with host Alex Cooper that from a young age, she aspired to have a similar transformative moment in her own career. Siwa expressed her long-held desire to embrace a change like Cyrus did with her fourth studio album, which showcased Cyrus’ more unrestrained side.

Siwa further explained that since she was 15, her inner circle had been discussing and anticipating such a transformation. She mentioned that it was two years ago when she began to write new music, marking a significant step as she moved away from her Nickelodeon music contract, signaling a new phase in her career.

Siwa herself described the transformation as a “full 180,” mentioning that what was occurring with her new music resembled a significant moment of change. Siwa expressed a desire to seize this transformative opportunity, highlighting that no child star had embarked on such a radical change since Miley Cyrus. She acknowledged that while others like Olivia Rodrigo have transitioned beautifully and achieved incredible success as young musicians, they hadn’t executed a dramatic ‘flip’ akin to Miley’s.

Siwa emphasized her intention to create a profound impact similar to Miley’s, aiming to offer the world meaningful art. Furthermore, the connection to Cyrus might be more significant than it appears. Following the release of “Karma,” fans began to speculate, piecing together evidence that suggested the song might have originally been a discarded demo by Cyrus from 2011. This led to observations that Siwa’s career trajectory might indeed be mirroring Cyrus’ path, not only in terms of aesthetic transformation but also in musical evolution.

So, what do you think of Jojo Siwa’s transformation? Is she really the next Miley Cyrus?

Photo courtesy of Geo TV


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